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Beyond Binary Choice: Sally Potter’s “Orlando”

As soon as the scroll of credits began across the blackened screen, Eleanor and Dania heard a sound from Gwen they had never heard before: genuine giddiness.

“Ohhhhhh it’s so weird!” Gwen squealed, clutching her knees. She leaned back into the cushion of the couch. “I have so many thoughts. So many. There are so many angles to take! The transgender reading, the cultural shift reading, the adaptation reading…”

Gwen proceeded to list several alternate readings under which the film could be understood, while Dania and Eleanor, who had been lobbing apprehensive looks at each other during the film’s entire duration, sent one final silent glance to each other.

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Taking Necessary Caution: Aló, Borges, & Carson’s “MENace”

Meet the Hanslick Girls: Gwen, Eleanor and Dania. Created by writer Zach Barr, they are a trio of friends who are always out experiencing the best of entertainment. Be it plays, films, concerts, exhibits, or games, they’ve learned that the arts are best when experienced together. They may not have the same opinions, but their conversations tend to make for an entertaining read. This week, the Girls discuss a recent narrative chestnut: a miniseries of minute-long episodes, distributed via Instagram, and produced almost entirely by women. Let’s hear what they had to say…

 

The new year was now a week old, and the novelty of throwing the past year over her shoulder had finally faded. Avoiding the end of her lunch break, Eleanor killed time in the break room on her phone. She swiped through Instagram expectantly – this was the best time of year, when everyone posted their photos from over the break. Family after family of smiling people in front of fake fireplaces lit up the screen.

One of the posts stood out, catching Eleanor’s attention enough to stop scrolling for a moment. It was a drawing of three women – from left to right, a blonde in an orange top, a woman glancing up from a mane of thick black hair, and a woman with her hair tucked and pulled back over her head. All three glanced up to the right, with expressions ranging from distrust to distaste. The teal background was empty, save for the word “menace,” in script, sitting in the center of the image. At the top was scrawled the artist’s name, “Partes,” and the handle @MENACEseries.

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Away In A Manger: Satoshi Kon’s “Tokyo Godfathers”

Meet the Hanslick Girls: Gwen, Eleanor and Dania. Created by writer Zach Barr, they are a trio of friends who are always out experiencing the best of entertainment. Be it plays, films, concerts, exhibits, or games, they’ve learned that the arts are best when experienced together. They may not have the same opinions, but their conversations tend to make for an entertaining read. To celebrate Christmas Day, the Girls take a look at one of the more unconventional holiday specials: a 2003 film about family, faith, and second chances. Let’s hear what they had to say…

 

“That’s a…rather contrived note to end the movie on.”

“I’m satisfied,” Eleanor said, watching as the credits rolled by to a reggae-like cover of “Ode To Joy” – which perhaps had something to do with New Year’s Eve, but in practice seemed an odd choice.

“Huh,” Dania grunted. The film was her recommendation – she had grow up watching the unconventional holiday movie, and had wanted to share it with her friends. She was lucky to find a version with good subtitles online. The film lost something without its powerful original voice actors – even in a foreign language, the passion of their delivery helped the movie spring to life.

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Leaving The Unknown: Patrick McHale’s “Over The Garden Wall”

Meet the Hanslick Girls: Gwen, Eleanor and Dania. Created by writer Zach Barr, they are a trio of friends who are always out experiencing the best of entertainment. Be it plays, films, concerts, exhibits, or games, they’ve learned that the arts are best when experienced together. They may not have the same opinions, but their conversations tend to make for an entertaining read. Today, the Girls discuss Cartoon Network’s harvest-season miniseries of ghosts, curses, and thieving horses. Let’s listen in on their conversation…

 

Dania whistled softly as they walked down the street under the moonlight. A lilting melody, just enough to echo off the sides of the buildings as they walked, rising above the crisp crackle of yellowed leaves. Dania aimed her boot towards the largest patches, hoping for the satisfying snap of twigs – as did Gwen, though she’d never mention it.

“What’s that melody?” Gwen asked, after a gap in the leaves let her listen to the song.

“The frog song from Over The Garden Wall,” Dania replied. “I think it’s actually called ‘Over The Garden Wall,’ but you know, the one the frog sings.”

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