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Category / Painting/Sculpture

In Authentic: Paul McGee & Shelby Allison’s “Lost Lake”

Stepping out of the Uber, Eleanor looked around. It was late, and the lights from the midnight market illuminated the intersection of Diversey and Kedzie better than any of the dim streetlamps could. She glanced at the surrounding buildings –– none of them showed any indication of being Chicago’s hidden tiki bar.

The car sped away, leaving her stranded in the center of Logan Square. She quickly texted Dania. At the intersection. Where r u?

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Bright Outburst: Pearlie Taylor’s “An Awakening!”

“There’s a whole downstairs part, too,” Dania said, leading the trio around the curved staircase. As they descended, Gwen caught sight of the inscribed poem from museum founder Dr. Margaret Burroughs:

     What shall I tell my children who are Black

     of what it means to be a captive in this dark skin?

They continued down into the sparse lower level of the DuSable Museum, where a series of prefab walls had been set up in the empty corridor, with paintings hung on each one.

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Joy Of The Chase: E.L. Konigsburg’s “From The Mixed-Up Files Of Mrs. Basil E. Frankweiler”

The cover image, with the two photographed children standing at the steps of a pen drawing of the Metropolitan Museum of Art, was too iconic to be mistaken for any other. Dania’s heart skipped to see it in Gwen’s hands.

“The Mixed-Up Files” had been a formative book for Dania –– a testament to the power of art and history, the need to let facts affect you rather than simply accumulate in your mind. Since first reading Konigsburg’s book as a child, Dania had returned to it periodically. Each pass through Claudia and Jamie’s tale provided more details, including humor at the comparatively cheap prices in the New York of the 1960s.

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