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Category / Painting/Sculpture

Ripped Headlines: Reem Bassous’ “Memory For Forgetfulness”

They had come on a quiet day in the middle of the week, which meant that the Honolulu Museum of Art was nearly empty. As they walked the labyrinthine villa that made up the museum’s sprawling campus, Dania and Eleanor walked close together, in an agoraphobic bond.

“I thought there would be more art by Hawaiian artists here,” Gwen muttered, passing another room of Japanese block prints.

“Why?” Eleanor asked. “It’s not like the Art Institute has a section dedicated to Chicago artists.”

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In Authentic: Paul McGee & Shelby Allison’s “Lost Lake”

Stepping out of the Uber, Eleanor looked around. It was late, and the lights from the midnight market illuminated the intersection of Diversey and Kedzie better than any of the dim streetlamps could. She glanced at the surrounding buildings –– none of them showed any indication of being Chicago’s hidden tiki bar.

The car sped away, leaving her stranded in the center of Logan Square. She quickly texted Dania. At the intersection. Where r u?

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Bright Outburst: Pearlie Taylor’s “An Awakening!”

“There’s a whole downstairs part, too,” Dania said, leading the trio around the curved staircase. As they descended, Gwen caught sight of the inscribed poem from museum founder Dr. Margaret Burroughs:

     What shall I tell my children who are Black

     of what it means to be a captive in this dark skin?

They continued down into the sparse lower level of the DuSable Museum, where a series of prefab walls had been set up in the empty corridor, with paintings hung on each one.

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