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The Hanslick Girls

"Three is company, safe and cheery" -Stephen Sondheim

Category / Theatre

Them’s Fighting Words: Macha Theatre Works’ “Sheathed”

“Where has this writer been all my life?” Dania asked, as they traced up the stairs and onto the bustling 7th Avenue. With conviction, Dania hopped the last two steps and planted her feet on the curb –– a tiny gesture to express the fighting spirit now instilled in her.

“She has an excellent voice,” Gwen agreed, as they walked. “It’s great conversational writing. Perhaps a touch heavy on the exposition at the start, but I’ll allow it for the fantastical setting.”

“Yeah, how else are you going to explain all the backstory with the armies, and Ren’s father?” Eleanor asked. “You gotta just state it, eventually.”

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The World On Fire: Haven Theatre’s “The Total Bent”

Compared to the raucous live performances throughout the evening, Dania couldn’t help but feel the slightest tinge of letdown when the pre-recorded 1960s hits came through the speakers as the house lights rose. She longed for a version of the songs with the same raw power as the songs in The Total Bent had possessed –– but admitted to herself that perhaps that was impossible to capture on record.

“What a gutpunch,” Dania said, glancing up to the illuminated cross at centerstage. Around the stage, musicians were just packing up their instruments, scattered around the stage. Only the two keyboard players –– Frederick Harris and Jermaine Hill –– were listed as members of the cast, but it has been difficult to divorce the remaining quartet of band members from the narrative.

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Smile, Darn Ya, Smile: The 5th Avenue Theatre’s “Annie”

This had been Dania’s suggestion.

As far back as she could remember, Gwen had always been the person scheduling performances and telling the others what shows they would go see. But during this jaunt to Seattle, Dania had looked up the local arts scene, and specifically requested a trip to see Annie at the 5th Avenue Theatre.

It was obvious why. Dania had grown up with Annie, one of the few musical soundtracks she had listen to as a child, since it was family-friendly. As Gwen had railed against the absences of any legitimate stakes in the plot, and naturally had choice words to say about the most recent film adaptation, Dania had held fast to her adoration for the tale of the plucky orphan and her sugar daddy (“God, the word ‘Daddy’ just isn’t the same nowadays, is it?” Dania had cooed just moments before the musical began).

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Book By Its Cover: Broken Nose Theatre’s “Plainclothes”

“What is this new trend of plays with projected title cards?” Dania asked, pointing at the projected footage of Chicago. Moments before the bows, the words “THE END” had flashed onto the screen –– complimenting the projected “PLAINCLOTHES” that had followed the first scene in the play.

“Is it a trend?” Gwen asked. “In The Canyon did that, but I can’t think of another.”

Indecent had a title projection. So did Hir last summer.”

“I believe Indecent‘s projections are in the script.”

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