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The Hanslick Girls

"Three is company, safe and cheery" -Stephen Sondheim

Category / Theatre

Smile, Darn Ya, Smile: The 5th Avenue Theatre’s “Annie”

This had been Dania’s suggestion.

As far back as she could remember, Gwen had always been the person scheduling performances and telling the others what shows they would go see. But during this jaunt to Seattle, Dania had looked up the local arts scene, and specifically requested a trip to see Annie at the 5th Avenue Theatre.

It was obvious why. Dania had grown up with Annie, one of the few musical soundtracks she had listen to as a child, since it was family-friendly. As Gwen had railed against the absences of any legitimate stakes in the plot, and naturally had choice words to say about the most recent film adaptation, Dania had held fast to her adoration for the tale of the plucky orphan and her sugar daddy (“God, the word ‘Daddy’ just isn’t the same nowadays, is it?” Dania had cooed just moments before the musical began).

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Book By Its Cover: Broken Nose Theatre’s “Plainclothes”

“What is this new trend of plays with projected title cards?” Dania asked, pointing at the projected footage of Chicago. Moments before the bows, the words “THE END” had flashed onto the screen –– complimenting the projected “PLAINCLOTHES” that had followed the first scene in the play.

“Is it a trend?” Gwen asked. “In The Canyon did that, but I can’t think of another.”

Indecent had a title projection. So did Hir last summer.”

“I believe Indecent‘s projections are in the script.”

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Across Two Worlds: Oregon Shakespeare Festival’s “Manahatta”

“Well, I don’t know exactly what I expected,” Eleanor began, as they walked out of the Thomas Theatre, and back into the courtyard of the Oregon Shakespeare Festival. “I guess I thought it would be preachier.”

“It’s still sorta preachy,” Dania contended. “In that it has a message.”

“If that’s your bar for ‘preachy,'” Gwen replied, with a motion back towards the theater, “then any play with a message could be described that way.”

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Drilling Down: The House Theatre of Chicago’s “Borealis”

“Is it always so…close like that?”

Dania indicated her feet, still tucked up under her chair after the set had been constructed mere inches from her.

“Usually,” Gwen said. “I believe every show I’ve seen at The House is arranged into alley seating, or in the round. They want the audience to feel like part of the action.”

“Well, I was definitely almost kicked in the face.”

“They rehearse so that doesn’t happen,” Gwen added. “Surely.”

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