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Tag / 2017 plays

Boxed In: Cheek By Jowl’s “The Winter’s Tale”

Working from home had drained Gwen more than she expected. She had always been comfortable on her own, without having a supervisor or manager peering over her shoulder as she worked. Had someone asked her, a month ago, if she’d prefer to work in the comfort of her home, she’d have leapt at the opportunity.

But “comfort” wasn’t what the home felt like to Gwen. Despite making sure she took walks outside regularly (at Eleanor’s urging), their small apartment was feeling more claustrophobic by the hour––to say nothing of Gwen’s preferred kind of social interaction: the collective anonymity provided by the dark blanket of a theatre audience. Now, to Gwen’s distress, both the audiences and the stages of Chicago were shrouded in darkness, and would be for some time.

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Airplane Mode: Macha Theatre Works’ “The Flight Before Xmas”

“But how did the cat get into her bag?” asked Eleanor,

“I don’t know,” said Dania, standing to put her coat back on. “Does it matter?”

“Not really,” Eleanor shrugged. The logic behind the reappearance of the cat didn’t particularly matter –– Maggie Lee’s play wore its heart proudly on its sleeve, to the point that the moral destinations were more satisfying than the narrative journeys that preceded them. “How the cat got there isn’t as important as the fact that it was found,” Eleanor summed up.

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Living Off Kilter: Interrobang Theatre Project’s “Out Of Love”

“I’m loving this trend happening now,” Gwen said, as they walked out of the door of Rivendell’s cozy space on Ridge Avenue. Inside, the crowds were still mingling after the performance of Interrobang’s U.S. premiere of Out Of Love, a refreshingly honest and defiantly Welsh play by Elinor Cook.

“Which trend?” Eleanor asked, reading the program as they walked. “Abstract scenic design? I’m certainly loving that.”

“Wasn’t it weird?” Dania asked. She recalled Sotirios Livaditis’ stark, slanted set –– an open but textured canvas, frame included, on which the story could be painted in rich, full strokes. “I kept wondering if they were going to fall off the side of it. It can’t be easy to focus when the whole floor is tilted.”

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