PART OF CHICAGO THEATRE WEEK 2018

 

“But why ‘Viva La Vida?'” asked Gwen, as they exited the Prop Thtr’s claustrophilic theatre space. An instrumental cover of the song had played during the play’s final moments.

“Why not Viva La Vida?” Dania asked, with a grin. “They were playing current pop songs before the show started, it’s clearly not going for an accurate time period setting.”

“Do you mean in the design or in the aesthetic generally?” Eleanor asked. “Because the design was pretty classical, to a point.”

“Well, I mean,” Dania began, with a shrug. “Mr. Evil Voice had his big red monk robe, that was pretty accurate to the time period. As far as I know.”

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