Menu Close

Tag / the future is female

Forward, March: Rey Terciero & Bre Indigo’s “Meg, Jo, Beth, and Amy”

It had been two weeks since their discussion of Louisa May Alcott’s seminal novel, Little Women, had ended with Gwen’s surprise reveal of its graphic novel adaptation. The modern retelling –– Meg, Jo, Beth, and Amy, by Rey Terciero and Bre Indigo –– was published in 2019, to mark the 150th anniversary of the novel. As the cover made clear, the story had been updated to a modern New York setting, with an interracial March family and an expanded supporting cast.

“Most of the plot points match, at least to start out,” Gwen had explained. “You have the major scenes –– the opening at Christmas, Meg going to Vanity Fair, and so on. The second half is where the adaptation loosens.”

Continue Reading

Sharpen Thy Wit: Babes With Blades’ “The Lady Demands Satisfaction,” with Denise Yvette Serna

Press Opening was the natural time for a post-show speech. Gwen was desperate to get out of the theatre and into the night air – and she could tell Denise wouldn’t be too far behind her – but they’d sat on the opposite side of the theater from the door, and any attempt to leave might be seen as bad form, against the older man now standing onstage, holding a plaque.

“The writer of this play is the winner of last year’s Joining Sword and Pen competition,” the man crooned. “To create pieces of theatre with strong stage combat opportunities, centered on sturdy female roles. This is his third victory. If he’d like to come down to the stage, please.”

A second man, with a twirled moustache, emerged from the applauding crowd. The two men shook hands at center stage, and Arthur Jolly looked at his name on the plaque.

Continue Reading

Shooting The Breeze: Amelia Earhart’s “The Fun Of It”

Well, I’m never going to find better reading material on the flight than this, Eleanor thought.

Admittedly, she was very nervous to bring the book on the plane. While the library had facsimile copies of the book from the 1970s, Eleanor was a sucker for leather binding and had instead pulled the authentic 1932 edition of The Fun Of It off the shelf. Should anything happen to the book in transit, she was certain the fine would be hefty. Even the librarian, Eleanor recalled – did she glare at me?

But these concerns were shaken off quickly. The appeal of reading Amelia Earhart’s novel while literally soaring at 30,000 feet had a delicious appeal. She barely regarded the turbulence on the flight as she plowed through Earhart’s vivid account of early 20th century air travel.

Continue Reading

Taking Necessary Caution: Aló, Borges, & Carson’s “MENace”

Meet the Hanslick Girls: Gwen, Eleanor and Dania. Created by writer Zach Barr, they are a trio of friends who are always out experiencing the best of entertainment. Be it plays, films, concerts, exhibits, or games, they’ve learned that the arts are best when experienced together. They may not have the same opinions, but their conversations tend to make for an entertaining read. This week, the Girls discuss a recent narrative chestnut: a miniseries of minute-long episodes, distributed via Instagram, and produced almost entirely by women. Let’s hear what they had to say…

 

The new year was now a week old, and the novelty of throwing the past year over her shoulder had finally faded. Avoiding the end of her lunch break, Eleanor killed time in the break room on her phone. She swiped through Instagram expectantly – this was the best time of year, when everyone posted their photos from over the break. Family after family of smiling people in front of fake fireplaces lit up the screen.

One of the posts stood out, catching Eleanor’s attention enough to stop scrolling for a moment. It was a drawing of three women – from left to right, a blonde in an orange top, a woman glancing up from a mane of thick black hair, and a woman with her hair tucked and pulled back over her head. All three glanced up to the right, with expressions ranging from distrust to distaste. The teal background was empty, save for the word “menace,” in script, sitting in the center of the image. At the top was scrawled the artist’s name, “Partes,” and the handle @MENACEseries.

Continue Reading