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To Love Birds: WAVE Productions’ “An Almanac for Farmers and Lovers in Mexico”

—Originally published April 3, 2017—

Meet the Hanslick Girls: Gwen, Eleanor and Dania. Created by writer Zach Barr, they are a trio of Northwestern students who always go to see plays together. They may not have the same opinions, but their conversations tend to make for an entertaining read. Recently, the Girls saw “An Almanac for Farmers and Lovers in Mexico,” WAVE Productions’ early spring pocket of magical realism. Let’s hear what they had to say on their way back from the theater…

 

“Well,” said Gwen, as the applause in Shanley began to die down, “That was certainly something.”

“I liked it!” Eleanor said, cheerily. “I just love love, guys.”

“I’m more of a hummingbird fan, myself,” Dania added.

“Oh, you don’t like love?” Eleanor asked, incredulously.

Dania waved the question away. “Feh.”

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Constellation Of Memory: Imagine U’s “The Miraculous Journey of Edward Tulane”

—Originally published February 13, 2017—

Meet the Hanslick Girls: Gwen, Eleanor and Dania. Created by writer Zach Barr, they are a trio of Northwestern students who always go to see plays together. They may not have the same opinions, but their conversations tend to make for an entertaining read. Recently, the Girls saw Imagine U’s production of “The Miraculous Journey of Edward Tulane,” adapted from the book by Kate DiCamillo. Let’s hear what they had to say on their way back from the theater…

 

“I’ve been crying too much at shows lately,” Eleanor said.

Gwen laughed as she watched her friend dry her eyes with a sleeve. “Yeah, first Body Awareness and now this.”

“Can I help it if everything going up this quarter is designed to make me emotional?” Eleanor asked. “It’s all so magically sweet, it’s like watching a small child discover the true meaning of Christmas, or whatever. Can you blame me if I cry when everything I watch is pulling my heartstrings like a damn harp?

“I guess not,” Gwen said, smiling at the image.

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Cast Off Idols: The Wirtz Center’s “Agamemnon”

—Originally published February 6, 2017—

Meet the Hanslick Girls: Gwen, Eleanor and Dania. Created by writer Zach Barr, they are a trio of Northwestern students who always go to see plays together. They may not have the same opinions, but their conversations tend to make for an entertaining read. Recently, the Girls saw the Wirtz Center’s stage premiere of Simon Scardifield’s “Agamemnon” adaptation. Let’s hear what they had to say on their way back from the theater…

 

As the lights slowly rose in the Josephine Louis Theatre, Gwen stared hard at the location on the ground where the naked, bleeding Sean Gundersen had laid not twenty seconds earlier, and which was now vacant. The darkness of the final blackout had seemed so sudden, and so total, that she had been unable to trace if any actors stayed onstage during the blackout, or whether Gundersen had been whisked offstage to don the requisite robe for modesty during his bow.

The lights finally reached the level they had begun at, dimly illuminating the clouds of fog and haze floating in from the stage’s exposed wings. Not an actor was in sight. Gwen raised an eyebrow. She had basically understood the play’s ending, even if the pace had dropped slightly after Cassandra’s death, and in tying it to the overall message she was gleaning from it…

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Progressive Second Opinion: Lipstick Theatre’s “Body Awareness”

—Originally published January 30, 2017—

Meet the Hanslick Girls: Gwen, Eleanor and Dania. Created by writer Zach Barr, they are a trio of Northwestern students who always go to see plays together. They may not have the same opinions, but their conversations tend to make for an entertaining read. Recently, the Girls saw Lipstick Theatre’s production of Annie Baker’s “Body Awareness.” Let’s hear what they had to say on their way back from the theater…

 

It was a strange thing to think about in the middle of a protest — stranger still to think while in the process of chanting along with the others around her — but even Gwen was surprised when Lipstick Theatre’s upcoming production of “Body Awareness” wormed its way into her head in the middle of the Chicago Women’s March.

The protests taking place nationally – and internationally, she would learn – had been beset by criticism online when a pro-life group of marchers, in Washington, D.C., had been kicked out of the march. Gwen hadn’t agreed with the decision, seeing the “women’s” march as an opportunity to bring people together rather than highlight our differences. Besides, during the Chicago march, she had seen plenty of men, and more than a few signs with pro-life messages.

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